Erich Korngold was born on this day in 1897. I never really paid attention to who he was until recently when I heard part of a program devoted to his life and music on the radio. He was essentially a romantic composer stuck in an era that was pushing atonal serialist music. Korngold was also the first serious composer that wrote music for Hollywood, having written full scores for some 16-or-so films in the mid 1900's, and influencing many film-score composers after him. Due to his work in Hollywood, he was not taken seriously by other composers of the day, and he died thinking his music would sink into oblivion. However, after his death, the interest in his non-film music has grown large due to his influence in Hollywood and film scores.
His violin concerto remains his most popular work. It was written in 1945 and premiered by the great violinist Jascha Heifetz in 1947. Listen/watch here to the 1st, 2nd, and 3rd movements. It's quite a nice piece of music, with a late-romantic feel. Though some of it does sound like it could go well as film-music (several of it's themes are taken from his film scores), it has a lot of depth and feeling, and many interesting, sometimes somewhat modern, passages and melodies.
Thursday, May 29, 2008
Wednesday, May 28, 2008
Avant-garde "music"
Gyorgy Ligeti was born today in 1923 in Romania.
Ligeti's music is best known in the general public for his music in several Stanley Kubrick films, including "2001: A Space Odyssey". Concerning one of the movements from his Requiem, for Soprano and Mezzo Soprano solo, mixed Chorus and Orchestra (1963-65), the wikipedia article written on Ligeti says: "It is a massive (twenty-part choral) quasi-fugue where the counterpoint is re-thought in terms of the material, consisting of melismatic masses interpenetrating and alternating with complex skipping parts. It was a part of this movement that accompanied the enigmantic monolith scenes in Kubrick’s 2001: A Space Odyssey." Remember that eerie music? I sure do, and I haven't seen the movie for probably a decade.
Ligeti wrote 3 books of piano etudes later in his life, some of which I've heard in concert and I think are kind of interesting. I found this rather frightening (but rather gimmicky) performance of one of them on youtube:
Etude No. 13, "The Devil's Staircase". The pianist contrasts it with Bach's "Sheep May Safely Graze" for effect (hey, I have to link to some real music at least once on this blog entry!).
Finally, his Poeme Symphonique for 100 Metronomes, "written" in 1962. Here's the musical "score", just in case you'd like to read it while you listen. You gotta love the avant-garde!
Ligeti's music is best known in the general public for his music in several Stanley Kubrick films, including "2001: A Space Odyssey". Concerning one of the movements from his Requiem, for Soprano and Mezzo Soprano solo, mixed Chorus and Orchestra (1963-65), the wikipedia article written on Ligeti says: "It is a massive (twenty-part choral) quasi-fugue where the counterpoint is re-thought in terms of the material, consisting of melismatic masses interpenetrating and alternating with complex skipping parts. It was a part of this movement that accompanied the enigmantic monolith scenes in Kubrick’s 2001: A Space Odyssey." Remember that eerie music? I sure do, and I haven't seen the movie for probably a decade.
Ligeti wrote 3 books of piano etudes later in his life, some of which I've heard in concert and I think are kind of interesting. I found this rather frightening (but rather gimmicky) performance of one of them on youtube:
Etude No. 13, "The Devil's Staircase". The pianist contrasts it with Bach's "Sheep May Safely Graze" for effect (hey, I have to link to some real music at least once on this blog entry!).
Finally, his Poeme Symphonique for 100 Metronomes, "written" in 1962. Here's the musical "score", just in case you'd like to read it while you listen. You gotta love the avant-garde!
Wednesday, May 7, 2008
Two of the Greatest Romantic Composers, Part 2
Brahms' music starkly contrasts Tchaikovsky's. The emotions that come through are powerful, but reserved and controlled, not wild and frantic. However, aside from a few selected works, Brahms' music doesn't have the immediate appeal that Tchaikovsky's does. Yet I find that his music is deeper and becomes more satisfying with each listen. The deeper I get into a particular Brahms piece, the more I am in amazement at the complex, intellectual brilliance that went into the composition. Yet the rugged beauty in his music doesn't need an intellectual understanding of it to enjoy it.
Here are some of my favorites of Brahms.
Orchestral music:
Piano Concerto No. 1 - a monumental work of genius. Although very difficult for the pianist, there is no gratuitous "showing-off" - the orchestra and piano work together to create musical ideas and cohesiveness. Unfortunately, the concerto was received very harshly when the composer premiered it, with an icy silence after one performance, and hissing by a later audience. That sort of thing would be unheard of today - and today's music isn't close to being in the same league! Here is pianist Stephen Hough discussing the piece after playing it. Here is the monumental concerto, parts 1, 2, 3, 4, 5, and 6 (First movement up to part 3, 5:15; Second movement up to part 5, 2:20, Third movement the rest). The second movement is one of my favorite pieces of all time. My piano teacher recalls his teacher telling him "It will create a chapel in your soul!" It is full of calm and beauty, and the climax in the middle is very moving. The other two movements are powerful and full of austere beauty.
Piano Concerto No. 2 - an even more difficult piece for the pianist, and even more integrated into the orchestra part, such that it was called "a symphony with piano obbligato" in early days. It has four movements, making it even larger than the first concerto (if that were possible!). This ranks as one of the most difficult concertos of all time (up there with Rachmaninoff 3rd). I think of it as one of the most satisfying musical meals I could ever have. The longer the better (it is usually about an hour long)! It is more pastorale and less austere than the first concerto, and the emotions in the piece run the whole gamut. Here is the first movement, parts 1 and 2. The second movement, which Brahms jokingly called "a tiny wisp of a scherzo" is here. The third movement is a beautiful slow movement, complete with a cello solo. Here are parts 1 and 2, the latter also containing part of the fourth movement, which is light-hearted but still full of power and beauty, concluding here.
Violin Concerto - one of the greatest violin concertos of all time. It can be very austere and serious, especially in the first movement, but there are more light-hearted and tender moments as well, especially in the 2nd and 3rd movements. Critics of his time have said that it is not a concerto for violin as much as "against the violin" and others have said it was "unplayable". It is indeed a hard piece, but it has stood the test of time and is one of the most loved works of all time today. Here are the first, second, and third movements (the first is incomplete here).
Double Concerto - Brahms' last composition for orchestra, it is a concerto for violin and cello together. It is characteristically austere and powerful, but not without lots of beautiful writing and good humor in many places. The opening is especially powerful, with the orchestral outburst followed by a cadenza for the cello, then violin, then both together before the orchestra comes back to have a longer introduction. This a moving piece! Here are parts 1, 2, 3, and 4. The middle movement (part 3 here) is particularly tender and full of the "deep" Brahms beauty.
Four Symphonies - all four of his monumental symphonies are precious jewels. They were late in coming, due to the composer's dissatisfaction and highly self-critical nature. The first symphony was finished in his 40's, and is a tour-de-force. The last movement is very reminiscent of Beethoven's 9th symphony, and so Brahms was dubbed as the continuation of Beethoven - very high praise, but which I think is appropriate. The second symphony is very pastorale and beautiful - probably my favorite Brahms symphony. Since this blog entry is too long already, I'll link only to the third movement, my favorite. I would highly recommend this recording, which is a performance of Brahms and Tchaikovsky's last symphonies (Brahms 4th, Tchaikovsky's 6th) as well as some absolutely brilliant commentary (about 20 minutes per piece) by the great conductor, Leonard Bernstein. It includes other pieces on it as well, with commentary. This will give you a good idea of the musical genius in the creative process by both of these composers in their symphonies.
Variations on a Theme of Haydn - a set of variations on a theme unlikely by Haydn, but that doesn't matter. It's one of his most accessible works, but this doesn't mean it's not deep! The mood changes throughout, from very thoughtful and pensive to unabashedly joyful. I was only able to find a 2-piano version worth listening to (the orchestral version is superior), but here is the opening.
Chamber Music:
Brahms wrote lots and lots of chamber music. It tends to be pretty thick and heavy, but is, once again, quite satisfying in a way that no other composer can match (except perhaps Bach or Beethoven).
Violin Sonatas - he wrote 3, all of which are an incredible feast for the soul. Here is the first movement (parts 1 and 2) of the G major sonata. Brahms also wrote two viola sonatas, originally written as Clarinet sonatas, later transcribed for viola. They are both wonderfully rich and a joy to listen to and play, as are his two cello sonatas.
Brahms also wrote several piano trios and piano quartets, all amazing and monumental works. However, his Piano Quintet in F minor (written for piano and string quartet), to me is the peak, the pinnacle, of all chamber works written for piano and strings. Yes, you heard me right. I know that's kind of a strong statement, but that's how I feel. All four movements are astounding in their passion and integration between the instruments. It is a very serious work with a passion and energy unmatched by any other piece I know of. The most amazing and innovative movements are the 3rd and 4th. The third movement has a driving force and passion in it that stirs my soul every time I listen to it. The fourth movement has extraordinary harmonies in it, pushing the envelope of Romantic music. Listen especially to 7:00 on to the end - so much passion and fire!
Here are some of my favorites of Brahms.
Orchestral music:
Piano Concerto No. 1 - a monumental work of genius. Although very difficult for the pianist, there is no gratuitous "showing-off" - the orchestra and piano work together to create musical ideas and cohesiveness. Unfortunately, the concerto was received very harshly when the composer premiered it, with an icy silence after one performance, and hissing by a later audience. That sort of thing would be unheard of today - and today's music isn't close to being in the same league! Here is pianist Stephen Hough discussing the piece after playing it. Here is the monumental concerto, parts 1, 2, 3, 4, 5, and 6 (First movement up to part 3, 5:15; Second movement up to part 5, 2:20, Third movement the rest). The second movement is one of my favorite pieces of all time. My piano teacher recalls his teacher telling him "It will create a chapel in your soul!" It is full of calm and beauty, and the climax in the middle is very moving. The other two movements are powerful and full of austere beauty.
Piano Concerto No. 2 - an even more difficult piece for the pianist, and even more integrated into the orchestra part, such that it was called "a symphony with piano obbligato" in early days. It has four movements, making it even larger than the first concerto (if that were possible!). This ranks as one of the most difficult concertos of all time (up there with Rachmaninoff 3rd). I think of it as one of the most satisfying musical meals I could ever have. The longer the better (it is usually about an hour long)! It is more pastorale and less austere than the first concerto, and the emotions in the piece run the whole gamut. Here is the first movement, parts 1 and 2. The second movement, which Brahms jokingly called "a tiny wisp of a scherzo" is here. The third movement is a beautiful slow movement, complete with a cello solo. Here are parts 1 and 2, the latter also containing part of the fourth movement, which is light-hearted but still full of power and beauty, concluding here.
Violin Concerto - one of the greatest violin concertos of all time. It can be very austere and serious, especially in the first movement, but there are more light-hearted and tender moments as well, especially in the 2nd and 3rd movements. Critics of his time have said that it is not a concerto for violin as much as "against the violin" and others have said it was "unplayable". It is indeed a hard piece, but it has stood the test of time and is one of the most loved works of all time today. Here are the first, second, and third movements (the first is incomplete here).
Double Concerto - Brahms' last composition for orchestra, it is a concerto for violin and cello together. It is characteristically austere and powerful, but not without lots of beautiful writing and good humor in many places. The opening is especially powerful, with the orchestral outburst followed by a cadenza for the cello, then violin, then both together before the orchestra comes back to have a longer introduction. This a moving piece! Here are parts 1, 2, 3, and 4. The middle movement (part 3 here) is particularly tender and full of the "deep" Brahms beauty.
Four Symphonies - all four of his monumental symphonies are precious jewels. They were late in coming, due to the composer's dissatisfaction and highly self-critical nature. The first symphony was finished in his 40's, and is a tour-de-force. The last movement is very reminiscent of Beethoven's 9th symphony, and so Brahms was dubbed as the continuation of Beethoven - very high praise, but which I think is appropriate. The second symphony is very pastorale and beautiful - probably my favorite Brahms symphony. Since this blog entry is too long already, I'll link only to the third movement, my favorite. I would highly recommend this recording, which is a performance of Brahms and Tchaikovsky's last symphonies (Brahms 4th, Tchaikovsky's 6th) as well as some absolutely brilliant commentary (about 20 minutes per piece) by the great conductor, Leonard Bernstein. It includes other pieces on it as well, with commentary. This will give you a good idea of the musical genius in the creative process by both of these composers in their symphonies.
Variations on a Theme of Haydn - a set of variations on a theme unlikely by Haydn, but that doesn't matter. It's one of his most accessible works, but this doesn't mean it's not deep! The mood changes throughout, from very thoughtful and pensive to unabashedly joyful. I was only able to find a 2-piano version worth listening to (the orchestral version is superior), but here is the opening.
Chamber Music:
Brahms wrote lots and lots of chamber music. It tends to be pretty thick and heavy, but is, once again, quite satisfying in a way that no other composer can match (except perhaps Bach or Beethoven).
Violin Sonatas - he wrote 3, all of which are an incredible feast for the soul. Here is the first movement (parts 1 and 2) of the G major sonata. Brahms also wrote two viola sonatas, originally written as Clarinet sonatas, later transcribed for viola. They are both wonderfully rich and a joy to listen to and play, as are his two cello sonatas.
Brahms also wrote several piano trios and piano quartets, all amazing and monumental works. However, his Piano Quintet in F minor (written for piano and string quartet), to me is the peak, the pinnacle, of all chamber works written for piano and strings. Yes, you heard me right. I know that's kind of a strong statement, but that's how I feel. All four movements are astounding in their passion and integration between the instruments. It is a very serious work with a passion and energy unmatched by any other piece I know of. The most amazing and innovative movements are the 3rd and 4th. The third movement has a driving force and passion in it that stirs my soul every time I listen to it. The fourth movement has extraordinary harmonies in it, pushing the envelope of Romantic music. Listen especially to 7:00 on to the end - so much passion and fire!
Two of the Greatest Romantic Composers, Part 1
Today is the birthday of two very important composers of the mid-romantic era of music. Pyotr Ilyich Tchaikovsky was born in 1840 in Russia. Johannes Brahms was born in 1833 in Hamburg, Germany.
Although not part of "The Five" Russian Composers (see blog on Jan 2), Tchaikovsky had interactions with them, and he wrote music that was quite nationalistic. He is the prototype of a composer who "wears his emotions on his sleeve", so to speak. His music is passionate, intense, and very accessible, bursting with beautiful melodies. His philosophy of music was that it should be immediately comprehensible to the listener. He felt that his fellow composer, Brahms, placed too many demands on the listener, and that Brahms' music lacked beauty.
I remember reading somewhere that Brahms didn't care much for Tchaikovsky's music, either. He attended a concert of his fellow composer's music and promptly fell asleep through it. Brahms' music is worlds apart from Tchaikovsky's. He is much more reserved in his displays of emotion, and can be very austere. A complaint from a critic of his day was that Brahms' music wanders around and never goes anywhere.
I suppose it depends on one's personality which composer's music one would like better. When I was younger, I listened more to Tchaikovsky's music and remember saying that his 5th Symphony was my favorite piece of music. Those days are long gone - aside from a few of his best works, his music holds my interest much less, and a lot of it seems frantic, repetitive, and noisy.
Brahms, on the other hand, composes some of the deepest music that I know. It may be hard to get into at first, but upon repeated listens, it is more rewarding than the music of most other composers.
I'll start first with a sampling of Tchaikovsky's best works:
Piano Concerto No. 1 - one of the most well-known of pieces of all classical music. It is chock-full of wonderful themes and has both beautiful orchestral writing and beautiful and impressive piano passage-work. Here is the first movement (parts 1, 2, and 3).
Violin Concerto - one of the absolutely best violin concertos in the romantic repertoire. It is a priceless gem of a piece, again full of beautiful melodies. The 2nd movement to me is one of the best works of all time - hauntingly sad and beautiful. Here is the first movement (parts 1 and 2), the sublime second movement, and the third movement.
Variations on a Rococo Theme for Cello and Orchestra - this very beautiful piece of music was the closest thing to a cello concerto that the composer wrote. It has characteristic beautiful melodies and lots of interesting variations. Here is a performance of this great piece, parts 1, 2, and 3.
Six Symphonies - His 4th, 5th and 6th symphonies are the most well known. The 3rd is quite good, too. The 6th symphony, called "Pathetique" is the most famous, and rightly so. It has a lot of pathos, especially in the 4th and final movement. The 3rd movement is a fast scherzo that ends so triumphantly, most audiences feel impelled to applaud such that the orchestra has to start the last movement before they finish clapping just to get on with the show. The last movement is such a heart-wrenching contrast to the previous movement, it is probably why the symphony is named so. My uncle commented to me years ago "when you listen to that movement, you just want to lay down and die" - not far from the truth, but it sure is a beautiful piece.
Nutcracker Suite - again another very famous suite of pieces (originally part of a ballet), parts of which are probably recognizable by most people. It has immediate appeal, and for good reason. So many catchy melodies, orchestral textures, and rhythms to feast on. Here's the Waltz of the Flowers, the last piece in the suite.
Since this blog entry is already quite long and we haven't touched Brahms' music yet, I'll put that in part 2.
Although not part of "The Five" Russian Composers (see blog on Jan 2), Tchaikovsky had interactions with them, and he wrote music that was quite nationalistic. He is the prototype of a composer who "wears his emotions on his sleeve", so to speak. His music is passionate, intense, and very accessible, bursting with beautiful melodies. His philosophy of music was that it should be immediately comprehensible to the listener. He felt that his fellow composer, Brahms, placed too many demands on the listener, and that Brahms' music lacked beauty.
I remember reading somewhere that Brahms didn't care much for Tchaikovsky's music, either. He attended a concert of his fellow composer's music and promptly fell asleep through it. Brahms' music is worlds apart from Tchaikovsky's. He is much more reserved in his displays of emotion, and can be very austere. A complaint from a critic of his day was that Brahms' music wanders around and never goes anywhere.
I suppose it depends on one's personality which composer's music one would like better. When I was younger, I listened more to Tchaikovsky's music and remember saying that his 5th Symphony was my favorite piece of music. Those days are long gone - aside from a few of his best works, his music holds my interest much less, and a lot of it seems frantic, repetitive, and noisy.
Brahms, on the other hand, composes some of the deepest music that I know. It may be hard to get into at first, but upon repeated listens, it is more rewarding than the music of most other composers.
I'll start first with a sampling of Tchaikovsky's best works:
Piano Concerto No. 1 - one of the most well-known of pieces of all classical music. It is chock-full of wonderful themes and has both beautiful orchestral writing and beautiful and impressive piano passage-work. Here is the first movement (parts 1, 2, and 3).
Violin Concerto - one of the absolutely best violin concertos in the romantic repertoire. It is a priceless gem of a piece, again full of beautiful melodies. The 2nd movement to me is one of the best works of all time - hauntingly sad and beautiful. Here is the first movement (parts 1 and 2), the sublime second movement, and the third movement.
Variations on a Rococo Theme for Cello and Orchestra - this very beautiful piece of music was the closest thing to a cello concerto that the composer wrote. It has characteristic beautiful melodies and lots of interesting variations. Here is a performance of this great piece, parts 1, 2, and 3.
Six Symphonies - His 4th, 5th and 6th symphonies are the most well known. The 3rd is quite good, too. The 6th symphony, called "Pathetique" is the most famous, and rightly so. It has a lot of pathos, especially in the 4th and final movement. The 3rd movement is a fast scherzo that ends so triumphantly, most audiences feel impelled to applaud such that the orchestra has to start the last movement before they finish clapping just to get on with the show. The last movement is such a heart-wrenching contrast to the previous movement, it is probably why the symphony is named so. My uncle commented to me years ago "when you listen to that movement, you just want to lay down and die" - not far from the truth, but it sure is a beautiful piece.
Nutcracker Suite - again another very famous suite of pieces (originally part of a ballet), parts of which are probably recognizable by most people. It has immediate appeal, and for good reason. So many catchy melodies, orchestral textures, and rhythms to feast on. Here's the Waltz of the Flowers, the last piece in the suite.
Since this blog entry is already quite long and we haven't touched Brahms' music yet, I'll put that in part 2.
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